Mediating Practice
My artistic-pedagogical approach combines experimental media art with cultural educational work. In my workshops, projects, and exhibitions, I connect traditional forms of expression with contemporary technologies. Participatory processes are central, as learners are encouraged to incorporate their own ideas and themes into artistic formats. From university seminars to workshops and the Flying Artist's Room, artistic activation is at the forefront of my process. Through experimental media, participatory methods, and socially relevant topics, participants learn to perceive art as an open, collaborative, and exploratory process. This not only results in creative outcomes but also fosters personal and communal development steps.
Residency: Fliegendes Künstler:innenzimmer
The Fliegendes Künstler:innenzimmer (“Flying Artist’s Room”) is a mobile, multi-year artist-in-residence initiative by the Crespo Foundation in partnership with the Hessian Ministries of Education and Culture. Designed to function as a live-in studio on school grounds in rural Hesse, the project aims to integrate artistic research into daily life, fostering cultural participation beyond urban centers. In Wolfhagen, this expanded format landed at the Walter-Lübcke-Schule in October 2023, establishing a fully equipped artist studio where I live, work, and engage directly with the community over three days each week. The permanent presence of an artist enables deep collaboration, experimentation, and meaningful dialogue between contemporary art practice and local context, a model I built upon throughout my residency.

„That felt like an airplane crash! Can we do this every morning?!“ Adil 13, Hauptschüler
This statement was made at 7:45 in the morning following sound experiments in my studio. Alongside sharing my own practice, I established an open, process-oriented space for research, art, and community during my residency at the Walter-Lübcke-Schule, aiming to sustainably inspire youth in rural areas toward collective artistic thinking.
Café Nimmersatt: Vacancies as Potential
Under my guidance as part of a project, a group of students analyzed vacant spaces in Wolfhagen. Following the analysis, students developed various usage concepts—from a historical museum in the bunkers to a reading café. The project was awarded 20,000 euros by the Hessian Ministry of Economic Affairs, Energy, Transport, Housing and Rural Areas.
With this funding, we renovated an empty storefront and officially opened "Café Nimmersatt" in November 2025. The project represents active democracy building: A diverse group of young people takes full responsibility, designs the interior, makes operational decisions, and manages the space.
Thanks to the support of the local bookstore, Manders, we received tremendous book donations to fill the shelves. Today, the space operates with a vision of future self-organization, hosting peer-to-peer teaching events like origami and electronic music workshops, alongside small exhibitions and readings, such as a session with artist Colo Kraft.
Demokratie, ein Poetry Slam
For Democracy Day, the Fliegendes Künstler:innenzimmer produced a small booklet featuring the students' poetry slam texts on the topic of democracy. These texts were performed at Kassel's Martinskirche during the memorial service for the 5th anniversary of Walter Lübcke's death in the presence of Federal President Frank-Walter Steinmeier and received great recognition.
To honor their work, we compiled the 15 texts into a published book, which was handed directly to the Federal President at the memorial. Following a series of right-wing and antisemitic graffiti incidents at the school, we also generated a QR code linking to a digital download of the book. This code was distributed across the school as a firm statement against hate and intolerance, and was prominently featured at our summer festival.
Workshops
Animate the Facade
In the workshop Animate the Facade, part of the Children's University at the University of Applied Sciences Wels/Linz/Hagenberg, young people designed animations for the façade of Ars Electronica. After an introduction to stop-motion technology and public art, they developed their own messages for public space: What do I want to communicate to Linz or the world? Using an intuitive digital drawing tool I programmed specifically for the workshop, they created animated sequences – from a "Love is Love" rainbow flag to European Championship-enthusiastic country colours to a flickering error signal. The workshop combined artistic practice with social reflection and strengthened awareness of media design in urban space.
Future 2 – It Will Have Been
Together with a youth group, the concept of art was expanded over a period of one week, a small project with microcontrollers was implemented, and an artistic project in public space was developed. Crucially, the kids took over: they processed their lockdown experiences and visions of the future by organizing an "illegal" Corona Party installation, powerfully manifesting what they missed most during the pandemic. This intervention demonstrated how participatory art enables youth to reclaim public space and their own voices in times of crisis.
College / University
Material & Process
The seminar "Material & Process" places the material at the center of every artistic work – whether physical/haptic (wood, paper, textile) or structural/immaterial (algorithms). We look at interdependencies between the digital and physical worlds by experimenting with analogue and digital processes (laser cutting, Riso printing, 3D printing, stamping).
This seminar focuses on seeing material as an independent element that can not only be manipulated, but also has its own qualities and resistances. The participants should get to know these qualities and apply them in their own artistic projects.








